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Mains support for 5.1, LCR, LR, plus surround panning and stereo downmix are also available in the mixer configuration. 32, 31-band Graphic EQs (or 8-band parametric EQs) can be used simultaneously and are not part of the effects processor allocation. The Roland M-5000 includes 8 stereo multieffect processors with an array of powerful effects including classic vintage Roland effects as well as classic Boss compact pedal effects. Each channel also includes 4-band PEQs, two dynamics processors that can be pre or post EQ, delay, and more.
A single mixing channel can have three assigned inputs: primary, backup for instant swap, and one for playback/record.
Dante virtual soundcard waves multirack windows#
The application allows individual windows to be separated out and resized resulting in a completely flexible organization of critical pages or meters on external monitors.ĩ6 kHz audio with exceptional mic pre’s built into the console as well as Roland’s extensive digital snake lineup ensures the highest quality of sound end to end.
Dante virtual soundcard waves multirack software#
The M-5000 comes with remote control software (Mac/Windows) designed to fully operate the console, which extends the user interface and windows beyond the built-in GUI. A user-assignable section comprised of four encoders and eight buttons in 3 banks provides quick access to key functions. The channel and user-assignment displays utilize bright, full-color organic technology for high visibility in any light. A 12” color touch screen, 28 channel faders in four groups, multifunction knobs and buttons, “touch and turn” functions, plus a user assignable section makes mixing fast and accurate. The M-5000’s flexible workflow allows users to adapt preferences to individual needs. Furthermore, the patching ability allows and input to be patched directly to one or more outputs without having to use up a mixing channel – ideal for comms, tielines, click track, etc. All of this capability enables the console to see up to 300 inputs and 296 outputs, all at 96kHz and even more at 48kHz.
The back panel includes 16x16 analog I/O, 4x4 AES/EBU, a 16x16 USB audio interface, connection for control via an iPad connected or wireless, and control ports including footswitches, GP I/O, RS-232C and MIDI. In addition to two REAC ports, the M-5000 has two expansion card slots to support a diverse range of system configurations and audio transport protocols such as Dante, MADI, Waves SoundGrid, more REAC ports, as well as future formats and functions. At the same time it is equality at home being defined for a FOH position in touring, live music, theaters, broadcasting and more. A primary application is for the monitor position where a high number of auxiliary busses are needed. O.H.R.C.A enables the console to be flexible enough to accommodate a diverse array of uses.
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The free assignable audio paths can be used for mixing channels, AUXs, Matrices, subgroup buses, MIX-MINUS buses, and other input/output configurations within a range of up to 128. The Roland M-5000 Live Mixing Console’s internal architecture is not fixed and can be freely defined to allow the operator to essentially “build” a console structure to suit the needs of the application. Creators of this software already did an amazing job and have brilliant ideas, but I believe that other users as well as me, would love to see more stable release instead of new features.According to Roland, O.H.R.C.A platform conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices all delivered at a pristine 96 kHz sound quality. But the stability is still an issue as well as CPU handling. I dont want to say anything bad about LiveProfessor, because I really love the way it opens up more possibilities to use more plugins. Multirack allowed me to create 24 duplicate chains until i started receiving the same message in console. In LiveProfessor it started after 12 duplicated chains. IOAudioEngineUserClient::performWatchdogOutput(, 187784) – (105b,19b4) Then I duplicated the same chain multiple times until I started receiving in console I have created this chain: Waves CLA-2A to API 2500 to 元 UltraMaximizer. Looks like my OS X are set correctly and the computer is powerful enough, because I can load more plugin instances in Multirack Native until I get the same level of audio stability. But anyway, I will just post here my experiment.
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